Juliet Lubega

Audition

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She looked at me. Her brown framed spectacles slanting towards the tip of her nose. Her short brown hair arranged in large waves. The expression on her face was seeking for an answer. I stared back unsure of what to say or do. Since she had announced that we were going to do a production of The Bird Catcher from Magic Flute by Mozart, I had occupied my self with looking outside through the large windows of the music room. It was annexed to Hutchinson house, the central dormitory in the school compound. I could see girls in pairs and small groups walking up and down the pavement. My hand was fumbling inside my uniform pocket, holding on to my blue handkerchief. I was contemplating putting myself forward for the auditions of the main character but it was my first term in Gayaza Singers and a junior. As an O’ level student I felt intimidated by the longer serving A’ level members.
Three A level girls came forward. Miss Hobday took off her glasses and wiped them with a white handkerchief. She run her hand through her hair and said “Can some O’ level students come forward too” her eyes fixed on me. I took a deep breath and felt my body usurped with confidence. There was silence and the girls looked on in anticipation. I slowly got up and walked to the front of the room and Miss Hobday broke into a smile to mark the achievement of her words of encouragement.
All my fears vanished as my voice filled the room with Handle’s Lascia ch’io pianga and I could see the beaming faces in front of me.
I re-lived the moment I performed ‘Embwa yange’ a traditional folk song I used to lead in primary school within weeks of my first year, four years earlier for my house, Cox during a singing competition. Not only did I catch the eye of the English music teacher Miss Hobday but whole school then knew who I was.

 

©Juliet Lubega (unpublished 2014)

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Author: lubega1

Among other things an aspiring UK based African writer with particular interest in African/Western cultural divide..

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